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| Geno Young. (Photo: Geno Young collection) |
Geno Young, the Dallas singer, does not perform a lot of
events throughout the year; so when he does announce an event it is a special
occasion. He ventured a few miles west to Fort Worth at The Live Oak and he
brought some friends with him: Kirk Thurmond and the Millenials opened the show
and R.C. and the Gritz followed up before Geno Young took the stage.
When Geno Young took the stage R.C. and the Gritz supported
him as the backing band. Young knows the Gritz well because they recorded
together in past. The Gritz also moonlights as the backing band for Erykah Badu
which is another connection with Geno who was Erykah’s first musical director.
Geno’s set opened up with the song Condition from his Ear
Hustler album. In the song, he promises his girl, “I’m gonna buy you a new car.”
On that chorus, he showed great interaction and interplay with his female background
singers -- whom he says he never do a show without – Chelsea West and Deedee
Yancey-Mackey. Braylon Lacy’s bass accentuated this one.
At the end of that song he announced he is bringing out an
album Tall, Dark and Handsome and he left no doubt whom that phrase is referring
to. He then led the band into Bill Withers’ ‘Use me, use me, til you use me up’
as a musical intro to his song Paper Thin. And he got the crowd to join him
singing the hook ‘Just paper thin.’
From the Ear Hustler album, he segued to the Ghetto Symphony
album with a song that he said has been good to him and still gets air-play -- Honey
Dew. Ooowee, honey dew; but in place of ‘ooowee’ he began to scat a la Ella
Fitzgerald and led his background singers into an acapella.
He then moved on to the ballad ‘She Won’t talk to me’. He and
his singers used a mid-sentence pause to good effect. He allowed some space for
the horns of Jarriel Carter (trumpet) and Mike Brooks and Evan Knight (both
tenor saxophone). The horns blended and interplayed with keyboard of bandleader
R.C. Williams.
With the legend, Stevie Wonder coming to town this weekend,
Geno could not resist doing a Stevie Wonder number. He opened up on keyboard
and was joined by Frank Moka on percussions to “I don’t want to bore you with
it, but I love you…” And he had the crowd singing along.
Geno dispensed with the keyboard and picked up the guitar
for Let’s Lay Down Together. He gave instructions all night to his band, “Keep
it there,” “one more time,” but this time he led with his guitar into the song “This
Girl of Mind” which had a 1970’s-Superfly-Curtis Mayfield vibe. This song
allowed for an instrument that has virtually disappeared from today’s R&B,
the guitar. Mark Letierri took his guitar solo in the vein of the Isley
Brothers to the delight of the fans.
Geno did a blues number and then ended with the song Shoulda.
And in the outro he gave introductions and solos also acknowledging Jah Born on
the MPC and Cleon Edwards on drums.
The Live Oak in Fort Worth, a new venue for the Dallas-based
bands; a good-looking venue nestled in the Fairmont neighborhood. The stage has
the look of a theatre where people would come to see a play. The semi-circle
around and above the stage is decorated in alternate wood-grain and green
stripes. Along the wall black picture frames alternate with painted red lights.
Guests sat around tables like a dinner show and food was served; the kitchen
was open. The ceiling had the avant garde look of downtown loft with exposed
air condition ducts and wiring.
A great venue; and Geno Young promised to be back!

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